Showing Records: 21 - 40 of 115
Dictionnaire des Methodes / Kolar, Jiri ; Erika Abrams, translator., 1991
Consists of representative examples of the different types of Kolar's collages. Gilbert Lascault wrote a critical essay at the end of the book. -- Source of annotation: Marvin or Ruth Sackner.
Documenta 6 : Handzeichnungen, Utopisches Design, Bucher / Kolar J ; Michaux H ; Arakawa ; Baruchello GF ; Darboven H ; Fahlstrom O ; Ruhm G ; Zush ; Steinberg S ; Roth D ; Ruscha E ; Paolozzi E ; Badura M ; Blank I ; Broodthaers M ; Carrega U ; Knizak M ; Nannucci M ; Ulrichs T., 1977
This was the first artist book exhibition that the Sackners attended. It made a major impact on them in terms of the their subsequent direction in collecting. The catalog includes reproductions of Kenneth Snelson's drawings for the sculpture, Forest Devil, the maquette of which is held by the Sackners. Marcel Broodthaers' Un Coup de Des and Jes Petersen's Piero Manzoni, books held by the Sackner Archive were exhibited. -- Source of annotation: Marvin or Ruth Sackner.
[Effiel Tower - Merz] / Kolar, Jiri., 1987
The message was written by Kolar's translator but the signature is his. -- Source of annotation: Marvin or Ruth Sackner.
Evidentni Basne / Kolar, Jiri; Mondrian P; Fontana G; Brancusi C., 1959
These prints depict characteristic images of contemporary artists in typewriter format; only three of the eight images could be identified. This portfolio is rare and only one other copy could be located at Fondazione Berardelli in Brescia Italy. -- Source of annotation: Marvin or Ruth Sackner.
Exempla / Nannucci, Maurizio, editor ; Agnetti V ; Griffa G ; Kolar J ; Ben ; Gerz J ; Ostrow S ; Nannucci M ; Ulrichs T ; Diacono M ; Furnival J ; Chiari G ; Spatola A ; Parmiggiani C ; Gastini M., 1972
This pamphlet provides an illustrating listing of silkscreened prints and books published by the press. The card is the price list; one of the copies is missing it. -- Source of annotation: Marvin or Ruth Sackner.
Exposition Itinerante des Dictions (Traveling Exhibition of Sayings) / Kolar, Jiri., 1983
The types of collages utilized by Kolar and found in this work were described in a glossary of his Albright-Knox exhibition catalogue "Transformations": banknotes, chiasmage, confrontage, crumplage, intercollage, prolage, rapportage, rollage, and sampl Each of collage may incorporate several forms. The verso of several collages incorporate fragments of other collages as if Kolar were sketching with collage rather than paint or pencil. The titles of the collages in Slavic are also written on the verso. Four few collages have been matted and are stored in a flat file drawer. -- Source of annotation: Marvin or Ruth Sackner.
Factotumbook: Anticollages. No.9/Oct / Jiri Kolar ; Sarenco ; Gambarin F., 1978
[Female Nude behind a Mirror] / Kolar, Jiri., 1992
A collage sent by Kolar as a gift to the Sackners arrived wet and shredded. In his note with this replacement, Jiri Kolar writes, "Thanks for your letter. I was quite amused with the destroyed [sic] collage you sent me back." The loose sheets cut from periodicals can be placed into the frame of the simulated mirror image of the original collage to create new images as a "do-it yourself" art work. -- Source of annotation: Marvin or Ruth Sackner.
Folgende Folge aus dem Tschechichen / Schauffelen, Konrad Balder, curator ; Kafkova, Tamara, curator ; Kolar J ; Hirsal J ; Novak L ; Malich K ; Slaviik O ; Kotik J ; Sykora Z., 1969
The cover was designed by Jiri Kolar. -- Source of annotation: Marvin or Ruth Sackner.
Folgende Folge Aus Dem Tschechischen / Kolar, Jiri., 1978
One print is framed. -- Source of annotation: Marvin or Ruth Sackner.
Froissages / Kolar, Jiri., 1981
Gloria Picazo contributed a critical essay opening with a quote by Kolar "Someday it will be possible to make poetry out of anything." Foissage is described when "a mere piece of paper is wrinkled, then flattened down and finally set upon a support. The strange writing left in the piece of paper by the wrinkles is another of the means usedby Kolar to make a poem visible." -- Source of annotation: Marvin or Ruth Sackner.
Gersaints/Aushangeschild / Kolar, Jiri ; Duchamp M ; Schwitters K ; Lissitzky E., 1966
In this book, Kolar creates typings that emulate the classic works of such artists as Albers, Bill, Brancusi, Burri, Calder, Delaunay, Dubuffet, Duchamp, Fontana, Hajdu, Kandinsky, Kemeny, Klee, Kupka, Lissitzky, Malewich, Mathieu, Miro, Mondrian, Mohaly-Nagy, Nicholson, Rothko, Schwitters, Stazewski, Pollack, Strzeminski, Sima, Tinguely, Vasarely and Wols. -- Source of annotation: Marvin or Ruth Sackner.
Improvisation / Kolar, Jiri., 1991
The colored collages by Kolar are designated chiasmage. The cover of the box is collaged with a small, triangular example. Further, each print has a different, geometric shape. -- Source of annotation: Marvin or Ruth Sackner.